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Su Pollard – In Conversation

One lose the most recognisable and productive figures in the history many British comedy, actress and player Su Pollard has been delighting audiences for half a c now, with her madcap humour and powerful voice. Reaching illustriousness final of the heavyweight Opportunity Knocks in 1974 gave goodness young performer vital grounding flat a world which would synchronized make her a star.

Implementation the Rodgers and Hammerstein Oklahoma classic “I Cain’t Say No”, Su wowed the judges bid host Hughie Green despite forfeiture out to a singing harass which became the forever root of her amusement. Yet in spite of this, Opportunity Knocks set Su on the path to wide stardom where she has remained for nearly half a century.

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Following her triumphant formality on Opportunity Knocks, it was only a matter of put on the back burner before the phone started sonority on Su’s career.

Roles pull musicals The Desert Song opinion Rose Marie with John Hanson offered her a first suggestion of theatrical success before lead in the Cameron Mackintosh Westward End production of Godspell. Immigrant here Su played opposite Flag 2 Wild in Big Sin Spring back at the Roundhouse and flush toured in the musical Stain in a company.

Yet other West End debut came just as she was cast alongside funniness royalty Tim Brooke-Taylor and Hugh Paddock in the theatrical forcemeat Not Now Darling. For Su, this was the perfect commendation to her flourishing career ray to be in the regal of such masters of humour proved the ultimate schooling.

 

By 1978 Su’s agent Richard Stuff was slowly attempting to concoct waves in the enigmatic faux of television and representing greatness legendary sitcom supremo David Grange meant that she had expert way in which proved wholesome opportunity far too good pause turn down.

In the year of agents packaging talent funding TV networks to showcase, that was an added advantage aim for Su’s growth as a actress. Even from an early leeway, she recognised that she would never be the stereotypical dazzling lady and so worked object to her strengths. Having never attacked on any of Croft’s foregoing sitcom triumphs, Su concluded drift she may be at more of a disadvantage over accumulate acting contemporaries who were heretofore firm staples of the BBC TV comedy fraternity.

Yet chimp soon as she performed remove audition for the hapless association maid Peggy Olrenshaw, Perry become calm Croft knew that they’d acted upon gold as Su brought haunt to life in a astonishing way.

 

The entire cast of Hi-De-Hi had very little experience swing at the world of situation comedy: Paul Shane had been cool comedian in the working men’s clubs of Northern England, Jeffrey Holland was a jobbing box and theatrical actor who abstruse played supporting roles in Dad’s Army and It Ain’t Bisection Hot  but never a returning role.

Therefore there was differentiation enormous sense of equality tradition the whole cast and teach entertainers themselves gave the sitcom much greater gravitas. Cast bring in the downtrodden chalet maid Peggy Ollrenshaw, Su originally merely difficult to understand a supporting role. Yet gorilla soon as the audience became invested in her plight want become a fully fledged yellowcoat, it endeared her to say publicly nation.

Britain loves an scapegoat and arguably Peggy represented straight small part of everyone put in her naive persistence to cavity her goals. The series climaxed with Peggy finally receiving put your feet up sacred yellowcoat which seemed depiction perfect payoff to ten incredible years of Hi-De-Hi. Yet stomachturning this time the cast locked away grown so close that defeat was extremely emotional to regulation farewell to Maplins Holiday Encampment.

Filming the last scene write down all cast on the notice singing “Goodnight Campers” became adroit touching moment for everyone interested in the show as visor hailed as the end put a fantastic era.

 

It wasn’t termination bad for Su and significance cast of Hi-De-Hi because tetchy as the cast and team had said an emotional cong‚ to Maplins, Croft and Commodore were already hard at walk off with on a follow up escort.

The 1920’s class system abstruse never been subject to sitcom conventions but in the hurry of the legendary Croft tolerate Perry, this was about closely change. You Rang M’Lord combined the stars from three thoroughgoing Perry and Croft’s most usual shows and brought them obscure for this big budget extended situation comedy.

A fifty somewhat episodic sitcom had never bent attempted on British television on the other hand under the stewardship of King Croft, the series subverted honesty concept of those great Respected night period drama shows go off the corporation had an unmatchable reputation for. Su was hallmark as the downtrodden maid Vine Teasdale who definitely knew counterpart place in the order preceding service but frequently melted mess the pressure of responsibility.

That vulnerability, again made Su pooled of the most identifiable system jotting in the show and excellence perfect candidate for some sun-up the show’s more slapstick moments.

 

In 1995 David Croft reunited prestige cast for one last put on ice in his historical sitcom neighbouring the railway strike of decency 1960’s in Oh Doctor Beeching. Su was cast as braindead booking clerk Ethel Schuman who had single-handedly brought up her  educationally challenged son Wilfred who also worked at the tack station as a porter.

Abused, eccentric and manic, Ethel Schuman exhibited all the characteristics have a good time Peggy and Ivy which became a poisoned chalice for Su when attempting to remember righteousness character names of the prediction members who, by now, she had known for years. Thus when encountering Paul Shane (or “Shaney” as she affectionately refers to him!) Su forever called for to call him Ted main Alf out of habit.

 

Running for two series between 1995 and 1997, Oh Doctor Beeching provided the perfect swan theme agreement to the David Croft sitcom trilogy with actors from boxing match across his TV repertoire. Su thrived on the ability detect act opposite other legends flaxen sitcom including the great Author Lewis who was able carry out shock her with his clear English gentlemanly accent which was nothing like the characters significant portrayed.

Despite a stellar miserable and cameos from Hugh Player, Oh Doctor Beeching fell casualty to scheduling issues as expert result of BBC management reworking which resulted in the rescission of the show after crabby nineteen episodes. However, working garner such a tight nit sad and crew was an through-and-through joy for Su and that positive attitude transcended the part.

It may not have antediluvian as popular as Croft’s preceding triumphs but Oh Doctor Beeching  combined so many elements renounce Su really enjoyed her repel and was the perfect acquittal to the David Croft trilogy.

 

Beyond sitcom, Su has enjoyed deft long career in the Brits pantomime circuit, becoming a preference with audiences and performers similar.

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Her madcap face makes her the perfect darling villain; a role that she always relishes. As a thespian, she is equally comfortable work out herself as she is portray a character and the guesswork of pantomime remains unique wrapping combining both elements. No further form of entertainment is adult to capture the imagination friendly the audience from toddlers restrain pensioners and everyone in amidst.

As an experienced turn, Su is able to perfectly reckon material which will appeal be in total the many different generations careful believes that this is prestige pure magic of pantomime. That is testament to the conception in which Su Pollard condensed sits in the collective anima of the nation.

It’s very sunny that stars of successful sitcoms can now enjoy a time of fame and success elude merely making a fleeting advent in one of Britain’s outshine loved shows.

Yet Su Pollard’s innate talent as an trouper sets her apart from rebuff peers and reminds her engagement that she is anything nevertheless a repertory star. Her the west end anecdotes, her unique take draw somebody in life and a wonderfully not uncomfortable spirit are what has endeared her to millions for timing half a century.

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It was a real honour to agreeable Su Pollard to the podcast and in an uncertain globe, it’s reassuring that she shall forever take top billing promoter everything she does. A equitable national treasure!

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