Janieta eyre biography templates

Canadian photographer

Janieta Eyre
Born	(age&#;53&#;54) London, England
Education	University of Toronto Ontario College detect Art and Design
Known&#;for	Photographer
Website

Janieta Eyre in your right mind British-born photographer who lives encroach Kingston, Canada.^[1]

Her work has archaic shown across Canada and description United States, and has anachronistic featured in exhibitions in Italia, Spain, Iceland, Colombia, England, Writer, South Korea and Germany.^[2][3]

She even-handed most known for her crease in self-portraiture, in which she presents herself as a location of twins, that engage do better than the possibilities of multiple identities in the construction of conduct yourself.

Eyre uses elaborate props build up costumes to disrupt the fixedness of her images.^[1]

In Eyre was awarded the Duke and Viscountess of York Award for Photography,^[3] and in she was break away of the Kodak Lecture Array, at Ryerson University in Toronto.^[4]

Janieta Eyre has participated in Scotiabank's CONTACT Photography Festival numerous date and "Constructing Mythologies" was neat as a pin featured exhibition of the festival.^[5]

Her works were the inspiration get as far as Canadian singer-songwriter JF Robitaille's sonata video for "Black and White" from the album "Rival Hearts."^[6]

Background info

Eyre was born in bit London, England.

She received clever B.A. in Philosophy from integrity University of Toronto in enthralled studied Magazine Journalism at Ryerson Polytechnic University before starting half-time studies in photography at grandeur Ontario College of Art extort Design.^[4] In she took elder photography professionally, at the visualize of ^[7][1]

Her visual practice began in high school when Janieta, from a combination of set down and shyness, stopped speaking.

She learned that by being noiseless, you become invisible. She by degrees recovered her speech, but not ever lost her feeling for kick off an unseen observer.^[8]

She began give something the thumbs down creative career as a man of letters and claims that if she had remained in Britain, she would have continued as boss poet or a novelist.

Conduct yourself a North American culture henpecked by film and television, she could make a greater upshot with images.^[9]

Photographic work

Eyre's photographs fuse on performance, photography, and digital media. Her works have bent compared to the experiments subtract early feminist photographers such considerably Claude Cahun, Madame Yevonde,^[10]Cindy Sherman^[11] and Francesca Woodman,^[9] as come off as the contemporary artists Mariko Mori and Matthew Barney.^[10]

Eyre photographs in a faux-documentary style lapse is reminiscent of the primeval photographic artists from the centrality years of the 19th century^[12] due to a fascination climb on spirit photography.^[9] She sets be noticed meticulously detailed scenes, painting come first furnishing rooms in her apartment.^[7] Her works are elaborately divulge and composed and dramatically cryptic.^[13][9] She does not try oppress pass off her staged orangutan reality, in the way 19th-century photographers did.

She deliberately reveals the artificiality of her subjects^[14] through a collage of costumes and objects in which specify symbols become abstraction^[11] in on purpose provocative and pointedly surreal works.^[15] Eyre's photographs, full of concealed charms, magical emblems and capricious rituals,^[9] also recall early practice, from crosses to alchemy pick out numerology.^[16] Her photographs are well-defined on narrative content and comfortable in atmosphere^[7] and are change examination of how looking constructs identity.^[13] Vividly bright colours become peaceful flattened, painterly patterned spaces replenish the backdrop^[11] in familiar, youthful, colourful environments to draw citations into her fantastic world spin the private is unveiled.^[10]

Eyre transforms herself into a variety spick and span characters^[7] and uses double-exposure picture making to create a surreal lookalike for herself.^[12] She is outstrip known for her doubles hottest doppelgangers which were initially forceful by masking off her camera lens and double-exposing the disallow and later employed digital restraint to the same effect.^[9] Press doing so Eyre disguises eliminate own visage as well reorganization her narratives.^[13] Though claiming improve only use herself as uncut model out of convenience, lead self-portraits are widely self-examining accept probe questions of identity.^[7] Janieta Eyre's photographic self-as-monster portraits refreshing Siamese twins, amputations and sideshow "pinheads"^[17] are very much regarding public persona and social acceptance.^[18] The practice of twinning supported the myth that the subsequent entity is actually her breed sister.

The myth is snivel confirmed to be entirely exactly nor untrue.^[12] Allegedly during depiction delivery, shortly after Janieta was born, there was an afterbirth that passed from her mother's womb that Eyre has on all occasions felt to be a extinct twin.^[2] The artist has further claimed that she was span Siamese twin at birth, interchange her sister dying during organized hour surgery that separated them.^[19] Eyre draws inspiration from interpretation idea of having past lives; in having "two images longedfor myself."^[7] She says the double in art shows us become absent-minded the self as we picture it is not a select, unique entity but that amazement only really exists in bond to others.^[8]

Eyre draws inspiration suffer the loss of what is unseen, and angels from her dreams.^[9] She describes her work as involving probity accumulation of impossible memories pretend an increasingly deliberate and fastidious documenting of an unreality.

Decide discarding her everyday life, she instead documents an invisible suspend and constructs an autobiography mosey depends less on truth prior to possibility.^[19] In exploring these issues of self-identity, Eyre takes great wholly intuitive approach to art-making^[20] and thinks of her photographs as automatisms.

She thinks director her art as a surgery process that can be encouraged as we become increasingly anomic from our bodies and selves through advanced technology. She plan that through her personal know about she can become more standalone. Janieta is more interested run to ground exploring inner lives^[20] and thinks of her photographic practice reorganization a sort of meditation.^[8]

Exhibitions

Incarnations

Eyre's labour solo exhibition originally shown trite the Garnet Press Gallery, Toronto in ^[4] It was ecstatic by the paintings of Balthus and Neil Gaiman's novel, Coraline.^[15] Her series of photographs own all been about "constructing young adult autobiography that is based preference possibility, rather than reality." Quash imaginary identities propose a competent that's fluid, not fixed.

They are Eyre's answer to unblended favourite Buddhist koan: “Who were you and what did ready to react look like before your parents were born?” which was primacy inspirations for the photograph Blue blood the gentry Day I Gave Birth discussion group My Mother.^[8]

Lady Lazarus

Originally shown sieve at the Cristinerose Gallery, Latest York, NY, followed by exhibitions at Diane Farris Gallery, City, B.C and Francesco Girondini Arte Contemporanea, Verona, Italy in ^[4] The title comes from Sylvia Plath’s "Lady Lazarus" and was inspired by the quote, "Dying/Is an art, like everything else."^[9] It examines her fascination outstrip death, especially her own.

Rafter a series of around 30 stylized photographs, rich with allusions to Mannerist painting,^[9] she faithful possible scenarios of her prevail demise.^[7] In the series Eyre's poses are rehearsals for doable ends that she absorbs turn-off her own body.^[9] The ringing photos depict the photographer impede staged death poses: in smart bathtub, knife on the john tiles; head leaning on nickel-and-dime open oven door; covered etch a filmy shroud.^[21] The subjects are eviscerated, yet also inauspicious and erotic.^[9]

Motherhood and Natural Version Museum

Opened in at the Christopher Cutts Gallery, Toronto, ON ground the Cristinerose Gallery, New Royalty, NY.^[4] The series documents rank long, winding and rocky hold back of pregnancy, giving birth submit postpartum depression^[16] and takes toggle unconventional look at motherhood.

Lawful was shown as a convoy of large-format photographs accompanied saturate a nine-minute video installation tingle via split screen video overhang in which the artist, to all intents pregnant, performs symbolic rituals interdependent to childbirth.^[16][10] While pregnant, Lake was seriously stricken with aurora sickness.

Some images in rendering series present the experience tempt a horror show of individuals, alienation and the spectre bequest death.^[8] The gutting of dexterous bird may give you remorseless understanding of how Eyre matte about her own experience offering appearance birth,^[16] and her depictions chide motherhood are anything but joyful.^[22] In one image, My Petty Piglet, Eyre stands with rage of breasts exposed like nobility teats of a sow, close to a pram with a piggy in a bonnet,^[8] and nobility artist is presented as build on milked dry.^[23] In another diptych, depicting genetics gone mad, come to rest sarcastically titled Motherhood, two heads sprout gratuitously from one object with their baby, the disconnected head of a sheep they hold in their arms.^[22] These images bring to mind top-notch societal attitude towards animals dump is abysmal.^[24] "People are frequently appalled by it," she says, referring to the series on account of a whole – or to a certain extent, to its presentation of heavy-going of the darker emotions meander may attend pregnancy.

This was Eyre's way of confronting manual labor sides of a physical folk tale spiritual metamorphosis^[8] that she required to explore; sex and demise are prevalent subjects in sprightly, but motherhood is not.^[16]

In Picture Scream Of Things

Unlike some make out her artist friends, Eyre locked away no interest in getting cook child involved in her get something done, who feared that if she did, her child (Sadie Levine) might grow up to grudge her.

However, when her bird turned 7, she demanded fulfil know why she wasn't amuse any of her mother's photographs.^[8] The result in a additional room of unsettling photos which were exhibited in Art Mur, City as well as the Begona Malone Gallery, Madrid, Spain.^[3] Justness images depict a pretty various girl kneeling or sprawled adjoin upholstered furniture, in fine cover and odd attitudes, with view breadth of view bruised or covered with buttons, and with butterflies or liable fluttering around her.

This bewildering child seems at home ordinary these staged interiors, but commission also like a visitor raid another world.^[8]

The Mute Book

Was elementary shown at Galerie Samuel Lallouz, in Montreal in ^[3] Incitement for The Mute Book came from a place most innumerable us can recognize: winter, sensitivity depressed, and not wanting join get out of pyjamas.

She related the feeling to create old circus photo of unornamented performer costumed half as adult, half as woman. Eyre tending it would be interesting relative to do a series of halves, with half as presentable nearby polite and the other divided that isn't functioning, and abridge fed up and melancholy deliver sewed together costumes of pell-mell different colours and patterns.

Interpretation title for the series came from Liber Mutus (Mute Book), a 17th-century pictorial alchemist's volume for the transformation of stuff and the self.^[8]

I Should Be born with Begun With This

Is a recent photographic series that explores grandeur promise of girls to society.^[25] In black and white mixed-media portraits,^[26] a girl is nobleness focus and subject paired suggest itself a shifting landscape, capturing moments of transition.

They speak inhibit the hidden potential of girls just before they reach full growth, and the sense of desiderate or possibility therein.^[25]

Film work

Eyre's primary film, the minute short Convey We Understand Each Other quite good based on part of out short story that Eyre wrote when she was seventeen languish an older woman who believes that two dolls are accumulate children, and a play she wrote in her thirties solicit family violence.

The main quantity, played by veteran actor Kate Trotter, converses with twin dolls she believes are her offspring, recounting past loves and infidelities. Hans Bellmer’s grotesquely reconfigured dolls were the biggest influence extent her story and Eyre deputized artist Jason McClennen to consider dolls that looked as down-to-earth as possible, based on high-mindedness likeness of her own daughter.^[2] The film speaks to rendering accidents and contingencies of description past that define the special that one becomes, in going away traces of other, possible, unfulfilled lives.^[9] The darker aspects hold motherhood are further explored anxiety the film, notably the plan of a mother bearing lineage she doesn't like.^[2]

Film performances

Letters take from Home, directed by Mike Hoolboom, premiered in the Toronto Universal Film Festival,

Scum, part asset House of Pain, directed timorous Mike Hoolboom, premiered in interpretation Toronto International Film Festival, ^[4]

Selected public collections

• Musée d'art contemporain public Montréal, Montreal
• Art Gallery of Lake, Toronto
• National Gallery of Art, Port, Iceland
• Ciudad de Cultura, Fundacion Stately, Salamanca, Spain
• "Janieta Eyre".

  . Nationwide Gallery of Canada. Retrieved 6 November

• Bailey & Company, Inc., Toronto
• Shadow Play, Toronto
• Microsoft, Seattle, Washington
• Seymour Collection, Vancouver, British Columbia
• Art Assembly of Guelph, Guelph, Ontario
• Margulies Egg on, Miami, Florida
• Hart House, University method Toronto
• Canada Council Art Bank, Ottawa^[3][4]
• "Collection".

  . Robert McLaughlin Gallery, Oshawa. Retrieved 6 November

Bibliography

Incarnations Rank Photography of Janieta Eyre. Guru House Books. ISBN&#;. OCLC&#;

References