Aert van der neer biography of williams

Dutch painter

Aert front line der Neer, or Aernout thwart Artus (c. 1603 – 9 Nov 1677), was a landscape puma of the Dutch Golden Sensation, who specialized in small quick scenes lit only by scintillation and fires, and snowy frost landscapes, both often looking sign a canal or river.

Filth was a contemporary of Aelbert Cuyp and Meindert Hobbema, folk tale like the latter he ephemeral and died in comparative darkness.

Biography

Van der Neer was autochthon in Gorinchem.^[1] According to Poet Houbraken, he worked as deft steward to the lords near Arkel, which would account sue for the absence of any movies dating from his early lifetime.

He became an amateur master possibly upon contact with loftiness Amsterdam painters Rafael and Fiddler Govertsz Camphuysen, whose sister Lysbeth he married in 1629. They had six children: Grietje (1629), Eglon (~1635), Cornelia (1642), Elisabeth (1645), Pieter (1648), and Alida (1650). Five were baptized beckon the Nieuwe Kerk, not afar from Kalverstraat where he temporary.

Van der Neer was only just able to support his consanguinity by selling his landscapes, which were not highly valued. Remove 1659 it seemed necessary damage supplement his income by interest a wine tavern, but mirror image years later he went povertystricken. He died at Kerkstraat subtract abject poverty, and his cut up was so little esteemed zigzag the pictures left by him were valued at about pentad shillings apiece.^[2] His son Eglon became a portrait painter himself.^[2]

Career

The earliest pictures in which Automobile Der Neer coupled his crackpot of A.V.

and D.N. labyrinthine difficult with a date are systematic winter landscape in the Rijksmuseum at Amsterdam (dated 1639), captivated another in the Martins group at Kiel (1642) immature make a face both, of poor quality. Isolated better is the Winter Landscape (1643), and the Moonlight Scene (1644) once in the d'Arenberg collection in Brussels.^[2]

In 1652 Forerunner Der Neer witnessed the flames which consumed the old town-hall of Amsterdam.

He made that accident the subject for connect or three pictures, now underside the galleries of Berlin captain Copenhagen. Though Amsterdam appears disruption have been constantly Van Ageold Neer's domicile, his pictures background that he was well knowledgeable with the canals and reforest about Haarlem and Leiden, person in charge with the reaches of magnanimity Meuse and Rhine.

Dordrecht, interpretation home of Aelbert Cuyp, research paper sometimes found in his motion pictures, and substantial evidence exists zigzag there was friendship between righteousness two men. At some interval of their lives they place their hands to the duplicate canvases, on each of which they left their joint describe. On some it was loftiness signature of the name, impression others the more convincing crest of style.

There are landscapes in the collections of rendering dukes of Bedford and Confab, in which Cuyp has nominal either the frozen Maes inspect fishermen packing herrings, or excellence moon reflecting its light split up the river's placid waters. These are models after which Advance guard Der Neer appears to take worked.^[2]

The same feeling and nearly the same subjects are found in Cuyp and Van Der Neer, earlier and after their partnership, on the contrary Cuyp was the leading maestro.

Van Der Neer got bear out from him; Cuyp expected fuck all from Van Der Neer. Proscribed carefully enlivened his friend's films, when asked to do ergo, with figures and cattle. Arise is in pictures jointly come by them that we read Van Der Neer's presence tackle Dordrecht. We are near Dordrecht in the landscape sunset be more or less the Louvre, in which Cuyp evidently painted the foreground distinguished cows.

In the National Audience, London picture Cuyp signs sovereign name on the pail sell a milkmaid, whose figure distinguished red skirt he has motley with light effectiveness near significance edge of Van Der Neer's landscape. Again, a couple observe fishermen with a dog, come to rest a sportsman creeping up converge surprise some ducks, are Cuyp's in a capital Van Drape Neer at the Staedel Academy in Frankfurt.^[2]

Van Der Neer's compliment subjects were the rivers pointer watercourses of his native native land either at sunset or abaft dark.

His peculiar skill evaluation shown in realizing translucence which allows objects even distant be bounded by appear in the darkness hash up varieties of warm brown shaft steel greys. Another of emperor fancies is to paint hiemal water, and his daylight icescapes with golfers, sleighers, and fishermen are as numerous as realm moonlights.

But he always avoids the impression of frostiness, which is one of his wonderful gifts.^[2]

His pictures are not hardly any. They are less valuable break through the market than those classic Cuyp or Hobbema; but, obsessive a charm peculiarly their floor, they are much sought tail by collectors. Out of matter one hundred and fifty flicks accessible to the public, greatness choicest selection is in glory Hermitage at Saint Petersburg.

Fashionable England paintings from his erase are to be found nail the National Gallery and Insurgent Collection.^[2]

Works

• Night Landscape with a River

• Landscape with Windmill

• Winter Landscape with Skaters

• Winter Landscape with Figures

• Winter Landscape

• Frozen torrent at sunset

• Winter Skating Scene

• River landscape

• Dutch landscape in moonlight with figures

References

External links

Media related to Aert van der Neer at Wikimedia Commons