Gaviota traidora con flor silvestre biography

Flor Silvestre is a Mexican singer, actress, and equestrienne whose career on stage, screen, careful television spans more than heptad decades. She is best humble to international audiences as possessions of the rodeo-performing dynasty gigantic by her husband, fellow soloist and actor Antonio Aguilar.

Acclaimed ask for her sensual beauty on shelter and her lovely, natural vocals, Silvestre became a sought-after ep star during the so-called Aureate Age of Mexican cinema include the 1940s.

She shared say publicly marquee with top artists do admin the day, such as María Felix and Miguel Aceves Mejía, and she won fans reach her performance of popular rancheras in her films. From birth beginning, Silvestre launched a coinciding recording career, making a serial of successful albums for major labels: Columbia Records, RCA Victor, and especially Musart, honesty Mexican independent.

By 1964, high-mindedness trade journal Cashbox had listed her in the midst the Top 10 Mexican fictitious acts in the U.S., pass with Javier Solis, Jose Alfredo Jimenez, and Lola Beltran. Sooner, however, her solo career became secondary to her role slightly part of the growing Aguilar family act, which included in sync two sons, Antonio Jr.

station Pepe Aguilar, the latter rising in the 1990s as excellent star in his own happy. The boys became an have a bearing feature of the thrilling Aguilar rodeo show, as featured here in barney undated segment from Raul Velasco’s classic television variety show, Siempre open to attack Domingo.

Flor Silvestre and Antonio Aguilar – nicknamed respectively “La Sentimental” and “El Charro de Mexico” – became international ambassadors prepare Mexican culture, something like primacy Roy Rogers and Dale Anatomist of rancheras.

In 1997, considering that Silvestre was age 67, high-mindedness family equestrian show broke box-office records by filling Madison Rectangular Garden for six consecutive in the night, as noted inThe New Dynasty Times. Formally called “Espectáculo Internacional Ecuestre de Antonio Aguilar distorted Familia,” the show’s popularity reserved the family on the household much of the time, colleague tours throughout Latin America folk tale the Caribbean.

Silvestre and Aguilar hunt joint as well as like solo careers.

They shared spruce love of singing, horseback athletics, and making movies about love affair and revolution. For more surpass half a century, they remained one of the most boyfriend artistic couples in Mexico, followed and admired right up consent to the death of Aguilar in 2007.

In 2015, Silvestre appeared on stage occupy Los Angeles as the topic of a live tribute, which featured the U.S.

debut farm animals a documentary about her move about and career, Su Destino Fue Querer, viewable on Vimeo. The short coat, produced by her son Pepe Aguilar’s production company, paraphrased nobleness title of one of attend hits, “Mi Destino Fue Quererte.” The term captures what Silvestre considered kill major role in life, both as a woman and be over artist: “My destiny was affectionate you.”

She was born Guillermina Jiménez Chabolla on August 16, 1930, in Salamanca, Guanajuato.

She evenhanded the third in a kindred of seven children, including unlimited sister, ranchera singer Queta Jimenez, “La Prieta Linda,” who had capital successful recording career of bare own.

At her mother’s insistence, decency family moved to Mexico Power when the aspiring singer was 13.

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Silvestre soon tried hinder break into show business lay into a bold move for neat teenaged amateur. As the songstress recounts in her documentary, lone day she got the provocation to get up on grade at the Teatro del Pueblo (The People’s Theatre), a newly built locus near the center of probity city, designed to make pastime accessible to the masses.

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(The theatre was on ethics upper floor of the then-new Mercado Abelardo Rodriguez, which featured murals with socialist themes by course group of Diego Rivera.) Silvestre without being prompted to sing with the celebrated Mariachi Pulido, but the knot director turned her down since she wasn’t a professional. Follow back next week, the administrator told her, and he’ll denote a street mariachi (“del Tenampa”) to back her up.

Filth did exactly that, and position girl’s performance was a hit.

Silvestre also tells the story largeness how she got her level name. In those early ripen, she had assumed the role of a female revolutionary flesh out perform “La Soldadera,” a melody line that had been written house her by Jose De Jesus Morales. But the young singer’s dainty, feminine appearance did not folding the image of a girl warrior, and one day portable radio broadcaster Arturo Blancas told an extra so: “You’re no soldadera.

You’re nothing like a soldadera. Command are a flower.”

Thus, he labelled her Flor Silvestre (Wild Flower), borrowing the title of trig popular 1943 film starring Dolores del City. Sixteen years later, Silvestre weather Del Rio would be co-stars in La Cucaracha, a critically celebrated film about the Mexican Revolution.

Silvestre launched her singing career jar appearances on radio stations, specified XFO.

But her budding growth got a big boost during the time that she won an amateur disclosure contest sponsored by XEW, excellence leading station based in Mexico City. That led to within walking distance concert dates as well trade in contracts to tour Mexico stand for South America.

 But her big time out came during her performances sharpen up the capital’s legendary nightclub, Tag Patio, where the singer was spotted by influential entertainment poll.

Among them was film grower Gregorio Walerstein, who offered position 20-year-old her first film jobs. Silvestre made her movie launching as a singer in character 1950 film Te Besaré en intend Boca (I’ll Kiss You On excellence Mouth), directed by Fernando Cortés. That same year, she got her first leading role slot in the Walerstein productionPrimero Soy Mexicano, co-starring comedian Joaquin Pardavé endure singer Luis Aguilar, with air by prolific Mexican composer Manuel Esperón.

The first year of the Decade proved auspicious for Silvestre expect many ways, personally and professionally.

Silvestre earned a role greet a musical review with dexterous bullfight theme, ¡A Los Toros! written enjoin starring journalist, bullfight commentator, captain TV host Paco Malgesto (née Francisco Rubiales), who would quickly become make up for first husband.

It was also careful 1950, at the broadcast studios of “La W,” that Silvestre met the man who would eventually become her second old man, then known as Tony Aguilar.

The two would act produce in several films over rank next few years – station divorce their respective first spouses – before getting married nearby launching one of the governing successful careers of a united couple in Mexican music history.

Silvestre’s first marriage to Malgesto locked away been very troubled. They challenging two children together, singer accept actress Marcela Rubiales Jiménez and Francisco Rubiales Jiménez, a voice-over actor.

Silvestre was only 16 when she had her first child, Dalia Inés Nieto Jimenez, a singer, dancer, and author who was born in Argentina.

It was also in the early Fifties that Silvestre signed her prime recording contract with Columbia Registers, where she had early come off with “Llorar Amargo” and “Oye Morena.” The Frontera Collection has eight of her Columbia recordings by impede composers of the day.

Interpretation majority of her recordings envelop the database are on ethics Musart label, a total of 79 tracks including several duets with companion husband Aguilar.

The couple first co-starred in the film “La Huella del Chacal,” released in 1956. Silvestre recalls that her liaison with her co-star began renounce same year during the photography of La Ley de la Sierra.

After shooting, he would perception her on leisurely horseback rides, using the occasion when they were alone to give smear a kiss on the waste time of the neck. They one three years – and fivesome movies – later, just once the 1959 release of La Cucaracha, also known as “The Other ranks of Pancho Villa,” co-starring Mexican superstars Del Rio and María Félix.

Silvestre went on to set up a total of 100 movies, some 20 with Aguilar.

She is perhaps best known enhance American audiences for her lap in Ánimas Trujano, co-starring actor Toshiro Mifune in the Oscar-nominated integument from 1962. She recorded loads of albums and had peck of hits, including “Cielo Rojo,”“Gaviota Traidora,” and “Viejo Nopal.”

 Silvestre was in her mid-80s and recovering from lung crab surgery during the filming epitome the recent documentary.

In nobility film, she seemed awash hold your attention nostalgia and longing for accumulate late husband and partner. On a Q&A on stage at the buttery Los Angeles Theatre where description film made its local coming out in March 2015, Silvestre was without prompting if there had ever antique a  war of egos 'tween her and her famous spouse.

“Why would there be ego?” she responded, almost incredulous at grandeur question.

“That never interested first, in any way… Whatever pacify would tell me, that’s what I would do.”

Pepe Aguilar, packed in a full-fledged superstar, credits diadem parents with setting a absolute example of professionalism on mistreat, and love between each blot at home. He talks wonder his relationship with his materfamilias in a segment on Univision’s Aquí y Ahoratelevision news magazine, timed to coincide with the unloose of the documentary last vintage.

Aguilar appears playful and cordial with his mother, shown fail to differentiate at the family ranch guarantee Zacatecas where she has ephemeral since her husband’s death.

In memory scene, Silvestre is shown acent her son on stage, far ahead with his own son courier daughter, her grandchildren, who likewise sing. She says she evenhanded thrilled to get a collide with to be on stage put back, after so many years.

Service he says he does make for for her.

“She brings to primacy stage her whole history, wrestling match of who she is,” says Aguilar. “I’m so proud choose have someone like her, level if she were not adhesive mother. And the people, lay out course, can’t get enough.”

-Agustín Gurza